Flat-ink card art,
with the receipts
A hosted generator for flat-ink screen-print poster card art. Describe the card; the service composes the prompt from a versioned style pack, generates, and hands back the image together with the record of exactly how it was made.
- 16
- 3
- 1
Generated by the service
Every image here is one the service made, and every one of them opens onto its record.
Nothing generated yet
The service has not published an image. When it does, each one lands here with the record beside it — the exact prompt it came from, the pack and model that produced it, what the generation cost, and the chain of reference images it was anchored to.
That ledger is the difference between this gallery and the examples further down the page. The examples show the style; only a record can show the work.
- Style pack
- Model
- Size
- Cost
- Content id
- Reference chain
- Resolved prompt
How a set gets made
The loop is the product, not a prompt box with a style dropdown in front of it. Every take — anchor variant, first pass or reroll — is one credit, no qualifier.
Pick a pack
An immutable, dated bundle: the style block, the overlay template, the shot list, the guard rules and the size presets. Old packs stay selectable forever.
Anchor
Write the one line every card in the set inherits, and see exactly which cards inherit it before anything is generated. Changing it later means dealing the set again.
Deal, then reroll
The whole set is dealt one take per card against that anchor. Any card can be rerolled on the same subject and pack; approved cards are never regenerated.
What we do not claim. This is not one-shot magic: the quality we ship comes from generating more than we keep and rerolling what does not land, which is why variants and rerolls are first-class here instead of buried. And the automated pre-filter that flags known failure modes does not check anatomy — hands and limbs are judged by a person, yours, on the way to the keep list.
What the style looks like
16 pictures of the house style — the shots the packs know how to frame and the way they handle flat inks.
These are examples, not service output. They carry no ledger: no cost, no content id and no reference chain, and nothing here claims a model produced them. The moment the service publishes a generation, it appears above these with the record the examples deliberately lack.
Strikes swallowed by a ringNo figure at all: incoming charcoal strike-arrows drive into a feathered hoop and come back out as swelling crimson.
Scattered pieces drawn back inFeathers, beads and blank hide cards drift inward and re-form into a tidy fan — a rally drawn as an arrangement, not an action.
The moment after the sweepCropped to a buckling leg and the spear-haft low in frame. The subject of the picture is what happened, not who did it.
Two crossing weaponsA deflection read as one flat sweeping arc, tight on the crossing haft and blade.
A ward of bound barkOverlapping bark plates bound with vines, taking an unseen blow at one edge. No creature, no face.
A seed splitting openTwo flat leaves and one moon-white bloom inside a soft amber halo — flat ink shapes, no glow gradient anywhere.
A woven cage of thornsNear-symmetric interlocking branches filling the frame — the kind of shape that tempts every model into drawing a decorative border, and does not.
One crescent boltA single searing crescent on a bold diagonal. The card illustrates the spell, never the caster.
Roots from below, victim's eyeThick living roots erupt and bind, shot from the point of view of whatever they are binding.
A cyclone in flat bandsSpiral bands and radial spokes as flat spot colour: weather rendered graphically instead of atmospherically.
A bolt forking between twoTwo anonymous silhouettes reel from the jolt. All lightning is drawn as flat graphic zig-zags — the anti-glow rule doing its job.
Impact centred on the chestplateAn armoured figure hurled backward by a burst of flat rock shards. The brief said what happens; the shot list said where to stand.
Four elements collidingPurely abstract: four flat spot-colour shapes meeting head-on, no figure and no hand in frame.
Three balls of electricityExactly three, orbiting in a ring, each firing outward — a count the prompt states and the picture keeps.
A flock going up all at onceBirds exploding off a canopy as bold flat silhouettes. The disturbance below is never shown.
The same totem, recolouredGenerated against an earlier image as a reference so the form and framing hold exactly while the inks change. This is what the anchor step buys.